LAST October a quiet and unassuming 26-year-old musician from Mexico arrived at Nashville International Airport to meet an American record producer he had known only through a few e-mail messages and a phone conversation. Neither had any idea what the other looked like.
Multimedia'Completamente' by Chetes (mp3)
'El Sonido de Tu Voz' by Chetes (mp3)
'Que Me Maten' by Chetes (mp3)
Readers’ Opinions
Forum: Popular Music
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Multimedia'Completamente' by Chetes (mp3)
'El Sonido de Tu Voz' by Chetes (mp3)
'Que Me Maten' by Chetes (mp3)
Readers’ Opinions
Forum: Popular Music
Enlarge This Image
The musician was Gerardo Garza, the floppy-haired, dirty-blonde It Boy of the alternative rock scene in Monterrey, Mexico, who goes by his lifelong nickname, Chetes. (It’s Spanish shorthand for “cheeks”; Mr. Garza’s are noticeably pale and round.) The producer was Ken Coomer, a Nashville studio whiz who played drums for the new-school Americanists Wilco and Uncle Tupelo, two bands Mr. Garza had only recently heard.
The plan for the next month was simple, if not somewhat comical: the two would hole up in a studio with local musicians and technicians — none of whom spoke a word of Spanish — and create the new sound of Mexican pop music. [read the whole article here]